FRAMING THE FATHER FIGURE: GENERATED SOCIALIZATION AND THE DYNAMICS OF HEGEMONIC MASCULINITY IN TAIWANESE CINEMA
DOI:
https://doi.org/10.37231/apj.2025.8.2.786Abstract
Abstract: Generated socialization is a central process in shaping and maintaining a certain hegemonic masculinity within the patriarchal family structure. Individuals gradually internalize specific values, behavioral patterns, and identities associated with masculinity through their interactions with the social environment and are prompted to adapt or reproduce these patterns. Father figure conceptualization for traditional fatherhood in Taiwanese society has been deeply influenced by Confucian values, which prioritize filial piety, reverence for authority, and the hierarchical family structure. These values are reflected in the family structure and gender roles in Taiwanese society. On this note, this paper will be focusing on generated socialization drawing on Taiwanese father figure conceptualization through three Taiwanese films directed by Chang Tso Chi’s films: Ah Chung (1996), Soul of a Demon (2007), and Flotsam and Jetsam (2022). Using a qualitative framework, this research conducts textual analysis through the narrative lens of three selected films mentioned. Through a comparative analysis of Ah Chung (1996), Soul of a Demon (2007) and Flotsam and Jetsam (2022), it becomes evident that generated socialization is profoundly shaped by the instability and fragmentation of family structures. Each film, while situated in different socio-emotional contexts, reflects how the absence, adaptation or redefinition of parental roles influences the development of identity, especially in relation to gender roles and familial authority.
Keywords: Father figure; Generated socialization; Chang Tso Chi; Taiwanese cinema; Gender studies; East Asian cinema; Asian cinema.
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