CROSS-CULTURAL DIFFERENCES IN THE EFFECTIVENESS OF SHORT VIDEO MARKETING:  A COMPARATIVE ANALYSIS OF TIKTOK AND DOUYIN

Authors

  • Anqi Huang Faculty of Management and Economics, Universiti Pendidikan Sultan Idris, 35900 Tanjong Malim, Malaysia
  • Zuraidah Zainol Faculty of Management and Economics, Universiti Pendidikan Sultan Idris, 35900 Tanjong Malim, Malaysia

DOI:

https://doi.org/10.37231/apj.2025.8.2.827

Abstract

Abstract: This paper explores the differences in the short video consumption across platforms by comparing TikTok  and Douyin in a case study of Chinese restaurant brand Haidilao. Although the two are under the same  parent company, they are culturally different settings that influence content strategies and reactions by the  audience. The research, conducted through a mixed-methods approach, incorporated descriptive statistics,  Mann-Whitney U tests, Spearman rank-order correlations, and cross-tabulations to determine Fisher's exact  tests. The results show that Douyin demonstrates higher performance than TikTok in core engagement  metrics, including views, likes, comments, and shares. The greater engagement on Douyin is significantly  linked to culturally ingrained content, emotional sentiment and professionalism of production, which are  characteristics of the high-context and collectivist communication in China. Conversely, TikTok interactions  are more based on humorous content, popular melodies, and casual looks, which align with the interests of  individualistic low-context cultures. These findings provide empirical support for Hofstede's cultural  dimensions theory and Hall's high-context versus low-context communication framework. The results also  demonstrate the role of platform affordances in shaping content performance, suggesting that brands must  develop culturally adaptive, platform-specific strategies to optimize audience engagement. Although limited  by sample size and focused on a single brand, this study provides valuable insights into cross-cultural digital  marketing. It lays the groundwork for future research on global content optimization. 

Keywords: Content strategy; Cross-cultural communication; Cultural adaptation; Digital engagement;  Platform affordances

References

Abidin, C. (2021). Mapping Internet Celebrity on TikTok: Exploring Attention Economies and Visibility Labor. Cultural Science Journal, 12(1), 77–104.

Balmer, J. M. (2017). Corporate brand orientation: What is it? What of it? In Advances in Corporate Branding (p p. 175–202). https://www.academia.edu/download/40705291

Bucher, T., & Helmond, A. (2018). The affordances of social media platforms. In The SAGE handbook of social media (Vol. 1, pp. 233–253). https://pure.uva.nl/ws/files/9115828/BucherHelmond%7B_%7DSocialMediaA ffordances%7B_%7Dpreprint.pdf

Chen, X., Valdovinos Kaye, D. B., & Zeng, J. (2021). #PositiveEnergy Douyin: Constructing "playful patriotism" in a Chinese short-video application. Chinese Journal of Communication, 14(1), 97–117.

De Veirman, M., Cauberghe, V., & Hudders, L. (2017). Marketing through Instagram influencers: The impact of number of followers and product divergence on brand attitude. International Journal of Advertising, 36(5), 7 98–828.

Divon, T., & Eriksson Krutrök, M. (2024). Playful Trauma: TikTok Creators and the Utilization of the Platforme d Body in Times of War. Social Media + Society, 10(3), 20563051241269281.

Eltaher, F., Rahul, K., Gajula, R., Miralles-Pechuán, L., Crotty, P., Martínez-Otero, J., et al. (2025). Protecting yo ung users on social media: Evaluating the effectiveness of content moderation and legal safeguards on video sharing platforms. https://arxiv.org/html/2505.11160v1

Fang, T. (2005). From “onion” to “ocean”: Paradox and change in national cultures. International Studies of Man agement & Organization, 35(4), 71–90.

Gillespie, T. (2022). Do not recommend it? Reduction as a form of content moderation. Social Media + Society, 8(3), 20563051221117552.

Hall, E. T. (1976). Beyond culture. Garden City. https://monoskop.org/images/6/60/Hall_Edward_T_Beyond_Cul ture.pdf

Halsey, L. G., Curran-Everett, D., Vowler, S. L., & Drummond, G. B. (2015). The fickle P value generates irrepr oducible results. Nature Methods, 12(3), 179–185.

Hazari, S., Talpade, S., & Brown, C. O. (2024). Do brand influencers matter on TikTok? A social influence theor y perspective. Journal of Marketing Theory and Practice, 32(3), 271–289.

He, X., Hua, K., Ji, C., Lin, H., Ren, Z., & Zhang, W. (2021, December 15). Overview of the growth and develop ment of TikTok's globalization. In 2021, the 3rd International Conference on Economic Management and C ultural Industry (ICEMCI 2021) (pp. 666–673). Atlantis Press. https://www.atlantis-press.com/article/12596 5906.pdf

Hofstede, G. (2001). Culture's consequences: Comparing values, behaviors, institutions, and organizations acros s nations. Sage Publications.

Hofstede Insights. (2023). Country comparison: China and the United States. https://www.theculturefactor.com/c ountry-comparison-tool?countries=china%2Cunited+states

Huang, Y., & Ye, W. (2023). “Traffic rewards,” “algorithmic visibility,” and “advertiser satisfaction”: How Chin ese short-video platforms cultivate creators in stages. Convergence, 30(1), 659–682.

Jim, J. R., Talukder, M. A. R., Malakar, P., Kabir, M. M., Nur, K., & Mridha, M. F. (2024). Recent advancement s and challenges of NLP-based sentiment analysis: A state-of-the-art review. Natural Language Processing Journal, 6, 100059.

Koç, B. İ. (2023). The role of user interactions in social media on recommendation algorithms: Evaluation of Tik Tok's personalization practices from the user's perspective [Master's thesis, Istanbul University]. https://ww w.researchgate.net/publication/375775130

Kung, Y., Wang, Y., Li, X., Hatrick, J., Liu, W., Wang, Q., Liang, J., & Liu, Y. (2025). Digital labor on TikTok a nd Douyin platforms: A scoping review. Review of Communication Research, 13, 212–228.

Lin, J., & de Kloet, J. (2023). TikTok and the platform station from China: Geopolitical anxieties, repetitive creat ivities, and future imaginaries. Media, Culture & Society, 45(8), 1525–1533.

McGinnis, T., Goodstein-Stolzenberg, A., & Saliani, E. C. (2007). "indnpride": Online spaces of transnational yo uth as sites of creative and sophisticated literacy and identity work. Linguistics and Education, 18(3–4), 283 –304.

McSweeney, B. (2002). Hofstede's model of national cultural differences and their consequences: A triumph of fa ith—a failure of analysis. Human Relations, 55(1), 89–118.

Rejeb, A., Rejeb, K., Appolloni, A., Treiblmaier, H., & Iranmanesh, M. (2024). Mapping the scholarly landscape of TikTok (Douyin): A bibliometric exploration of research topics and trends. Digital Business, 100075. https://www.sciencedirect.com/science/article/pii/S2666954424000036

Robertson, R. (1995). Glocalization: Time-space and homogeneity-heterogeneity. In Global Modernities. Sage. h ttps://warwick.ac.uk/fac/arts/history/students/modules/hi31v/syllabus/week18/robertson-1995.pdf

Schellewald, A. (2023). Understanding the popularity and affordances of TikTok through user experiences. Medi a, Culture & Society, 45(8), 1568–1582.

Singer, M. F., & Jones, O. E. (2025). Constructing authenticity in digital landscapes: Deion Sanders's social medi a presence and its impact on fan perceptions. Societies, 15(5), 134.

Song, S. (2023). Analyzing the popularity of Hai Di Lao through digital marketing methods. Advances in Econom ics, Management, and Political Sciences, 34, 132–139.

Vidani, J. (2024, April 30). Exploring the influence of Reels and short videos on the reading and listening habits of Generation Z: A comprehensive study. SSRN. https://papers.ssrn.com/sol3/Delivery.cfm?abstractid=4889 495

Wang, W., & Wu, J. (2021). Research perspectives on TikTok & its legacy apps: Short video platforms and local community building in China. International Journal of Communication, 15, 23.

Yang, Y., & Ha, L. (2021). Why people use TikTok (Douyin) and how their purchase intentions are affected by s ocial media influencers in China: A uses and gratifications and parasocial relationship perspective. Journal o f Interactive Advertising, 21(3), 297–305.

Ye, Z., Huang, Q., & Krijnen, T. (2025). Douyin's Playful Platform Governance: The Platform's Self-Regulation and Content Creators' Participatory Surveillance. International Journal of Cultural Studies, 28(1), 80–98.

Zhao, H. (2025). Cultural Strategy and Identity Construction in Chinese Emerging Brands' Global Expansion: T he Case of Pop Mart [Master's thesis]. https://lup.lub.lu.se/luur/download?func=downloadFile&recordOId= 9203080&fileOId=9203092

Downloads

Published

2025-10-31 — Updated on 2025-11-01

Versions

How to Cite

CROSS-CULTURAL DIFFERENCES IN THE EFFECTIVENESS OF SHORT VIDEO MARKETING:  A COMPARATIVE ANALYSIS OF TIKTOK AND DOUYIN. (2025). Asian People Journal (APJ), 8(2), 171-187. https://doi.org/10.37231/apj.2025.8.2.827 (Original work published 2025)