[Quranic Intertextuality in ‘Amr Al-Nami Poetry] Al-Tanass Al-Qur’ani Fi Shi‘R ‘Amr Al-Nami
Abstract
Abstract
Intertextuality helps to understand the influences in a literary text and its content from previous texts, be they religious or literary. As the Noble Qur’an has been central to poets’ view, they drew from it and were influenced by it. The effects were evident at the level of the image, its pronunciation and the composition. This research aims to analyze the poetic texts that are related to Qur'anic texts in ‘Amr al-Nami’s poetry in order to reveal his techniques of using Quranic intertextuality, and how he employed it to serve his poetry by creating new semantic meanings, highlighting the effect of religious culture in his poems, and showing his ability to reform what he was inspired by the absent texts in a new form. It also kept track of the Quranic verses that the poet was able to benefit from in forming his poetic and intellectual vision. This is assisted by employing descriptive and analytical method of some models of Quranic intertextuality in his poetry so as to know the forms of Quranic intertextuality being used and how he used them to present his poetry. It was found that Qur’anic intertextuality had an effect on shaping his poetry and gained its connotation and artistic maturity. It served and strengthened the poet’s meanings and images, and the diversity of intertextuality in the level of pronunciation in his poetry was found to be of direct intertextuality and indirect intertextuality in the form of ruminating, absorption and dialogue, while the use of Quranic texts was exploited for psychological purposes represented in promoting reassurance and self-assuredness in the face of calamities, patience and restraint, which reflects his deep belief.
Keywords: Intertextuality, poetry, ‘Amr al-Nami
الملخص
يساعد التناص على فهم المؤثرات في النص الأدبي وما يتضمنه من نصوص سابقة، سواء كان موروثا دينيا أو أدبيا. لذا كان القرآن الكريم محط أنظار الشعراء فنهلوا منه وتأثروا به، فجاء التأثير واضحًا على مستوى الصورة واللفظ والتركيب. يهدف هذا البحث إلى تحليل النصوص الشعرية التي تعالقت مع النص القرآني في شعر عمرو النامي؛ وذلك للكشف عن تقنيات استخدام الشاعر للتناص القرآني، وكيف وظفها لخدمة شعره باستحداث معان دلالية جديدة مبرزًا أثر الثقافة الدينية في قصائده، وبيان قدرته على إعادة تشكيل ما استوحاه من النصوص الغائبة في صورة جديدة. ورصد الآيات القرآنية التي استطاع الشاعر الاستفادة منها في تشكيل رؤيته الشعرية والفكرية. مستعينًا بالمنهج الوصفي التحليلي لبعض نماذج التناص القرآني التي تضمنها شعر النامي. وذلك لمعرفة أشكال التناص القرآني في شعر عمرو النامي. وكيفية توظفه لخدمة شعره. وتبين من خلال التحليل أن التناص القرآني له أثر في تشكيل شعره وأكسبه دلالة ونضجًا فنيًّا، وجاء خادمًا ومقويًّا لمعاني الشاعر وصوره، وتنوع التناص في مستوى اللفظ في شعره فجاء تناص مباشر وتناص غير مباشر على شكل اجترار وامتصاص وحوار، واستثمر النصوص القرآنية لأغراض نفسية تمثلت في إشاعة الطمأنينة وتثبيت النفس عند النوائب والصبر والتجلد مما يعكس إيمانه العميق.
الكلمات المفتاحية: التناص القرآني، شعر، عمرو النامي.
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